Download e-book for iPad: Cultural Theory and Popular Culture: An Introduction (6th by John Storey

By John Storey

ISBN-10: 1317860454

ISBN-13: 9781317860457

During this sixth version of his profitable Cultural thought and pop culture: An Introduction, John Storey has broadly revised the textual content all through. As earlier than, the ebook offers a transparent and demanding survey of competing theories of and diverse ways to pop culture. Its breadth and theoretical solidarity, exemplified via pop culture, implies that it may be flexibly and relevantly utilized throughout a couple of disciplines. additionally conserving the available process of prior variations, and utilizing applicable examples from the texts and practices of pop culture, this re-creation is still a key creation to the area.

New to this edition
• generally revised, rewritten and updated
• more desirable and elevated content material throughout
• New sections at the English Marxism of William Morris, Post-Feminism, and Whiteness

The re-creation is still crucial studying for undergraduate and postgraduate scholars of cultural reviews, media reviews, conversation reviews, the sociology of tradition, pop culture and different comparable topics.

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Extra resources for Cultural Theory and Popular Culture: An Introduction (6th Edition)

Example text

It subtly insinuates the history of the burlesqued exploration of sixteenth-century marriage practice that began with a rich citizen of Padua allowing a suitor to marry his daughter without her consent. com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-03-25 26 Shakespeare’s Culture in Modern Performance good time! 79–80) – and so, in words, she is. 189). Taming has not settled the issue of consent. Kate’s final words accompany a gesture, an outstretched ‘hand’ that is ready to ‘do him ease’ (179), a hand that needed to be freely given before it could be taken at the pre-contract stage.

Having won the physical fight, she throws her own whip into the fire. Kate stands to deliver her speech while a grinning Petruchio, his head bandaged, sits whip in hand. Kate’s knowing wink tells Bianca and her film audiences that appearances are deceptive. Petruchio’s whip has lost its phallic power. 69 Pickford was an astute businesswoman (she co-founded United Artists) and understood that the film’s financial success depended on public interest in her marriage to Doug, both on and off the screen.

It subtly insinuates the history of the burlesqued exploration of sixteenth-century marriage practice that began with a rich citizen of Padua allowing a suitor to marry his daughter without her consent. com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-03-25 26 Shakespeare’s Culture in Modern Performance good time! 79–80) – and so, in words, she is. 189). Taming has not settled the issue of consent. Kate’s final words accompany a gesture, an outstretched ‘hand’ that is ready to ‘do him ease’ (179), a hand that needed to be freely given before it could be taken at the pre-contract stage.

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Cultural Theory and Popular Culture: An Introduction (6th Edition) by John Storey


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