Download e-book for iPad: Cannibalism in Literature and Film by Jennifer Brown

By Jennifer Brown

ISBN-10: 0230360513

ISBN-13: 9780230360518

From photographs of stewed missionaries to Hannibal Lecter's hiss, cannibals have intrigued whereas evoking horror and repulsion. The label of cannibal has been used all through historical past to denigrate a given person or staff. via studying who's labelled cannibal at any given time, we will be able to comprehend the fears, prejudices, permitted norms and taboos of society at the moment. From the cannibal in colonial literature, to the belief of local Gothic and the hillbilly cannibal, to serial killers, this publication examines works through writers and administrators together with Joseph Conrad, H. Rider Haggard, Thomas Harris, Bret Easton Ellis, Cormac McCarthy, Wes Craven, and Tim Burton. It explores questions of cultural id and otherness within the smooth interval, delivering a massive and unique exam of cultural norms and fears almost about nationwide, monetary, linguistic, and sexual identification. Amidst the pointy enamel and bad urge for food of the cannibal, the ebook examines actual fears of over-consumerism and intake that hassle an ever-growing glossy global.

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Kurtz brings colonial desire to its terrifying culmination by literally consuming the natives. He is described Into the Heart of Darkness 43 throughout the novel as a mouth. Marlow describes him as having a ‘weirdly voracious aspect’, opening his mouth wide ‘as though he had wanted to swallow all the air, all the earth, all the men before him’ (85–86). Kurtz’s mouth symbolizes his power over the natives. This mouth points to the idea of a reverse cannibalism in the novel. The fear of being swallowed by the darkness and wilderness of the African jungle is countered with Kurtz’s fantasy of swallowing the world.

White Joseph 48) Ballantyne’s novel fits nicely in the adventure fiction’s intention of revealing strange worlds to their readers and shaping attitudes to the imperial subject. The author shapes these attitudes in children and adolescents, promoting ideas of patriotic heroism and Christian dutifulness that were compatible with imperialistic aims and would become invaluable in encouraging these young readers to fight in a savage world war a couple of decades later. Likewise, H. Rider Haggard extols the virtues of physical Christianity and English heroes fighting foreign upstarts.

There they could battle wild animals, inhospitable deserts and swamps, their desires for ‘undesirable’ women, and warring natives. King Solomon’s Mines (1885) and She (1887) were part of the fiction that ‘equipped the metropolitan subject with an imaginary model of the territories that were added to the British empire’ (Daly 53). The adventure quest was not only a genre for celebrating manly virtues but it was also a genre that appealed to a sense of spatial mastery, highlighted by the motif of the treasure map.

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Cannibalism in Literature and Film by Jennifer Brown


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