Bruce Lee: The Art of Expressing the Human Body - download pdf or read online

By Bruce Lee, John Little

ISBN-10: 1462917895

ISBN-13: 9781462917891

Research the secrets and techniques to acquiring Bruce Lee's striking body with this insightful martial arts education book.
The artwork of Expressing the Human physique, a name coined through Bruce Lee himself to explain his method of martial arts, files the concepts he used so successfully to ideal his physique for more advantageous well-being and muscularity.
Beyond his martial arts and performing talents, Lee's actual visual appeal and power have been really incredible. He accomplished this via a thorough and ever-evolving conditioning regime that's being published for the 1st time during this book.
Drawing on Lee's personal notes, letters, diaries and coaching logs, Bruce Lee historian John Little offers the entire quantity of Lee's exact education equipment together with food, aerobics, isometrics, stretching and weight training.
In addition to serving as a list of Bruce Lee's personal education, The paintings of Expressing the Human physique, with its easy-to-understand and simple-to-follow education exercises, is a precious resource publication if you happen to search dramatic development of their healthiness, conditioning, actual health, and visual appeal.

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Extra resources for Bruce Lee: The Art of Expressing the Human Body

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Throwing weak techniques (some of us do not have to feign this) at an opponent also encourages him to come forward with counter attacks, happy in the belief that he will not get hurt because your technique is ‘weak’. For instance, throwing a sloppy, weak jab will encourage your opponent to throw, perhaps, a right cross counter punch, because you are expecting the counter it will be easy to ‘slip’ countering or pre-empting it with a left hook to his now exposed chin. If you throw a half hearted right cross it will encourage the opponent to move forward to counter, as he does so pre-empt him with a left hook.

LEFT JAB, RIGHT CROSS, LEFT HOOK. (3) 9. RIGHT UPPERCUT, LEFT HOOK, RIGHT HOOK. (3) 10. LEFT UPPERCUT, RIGHT CROSS, LEFT HOOK. (3) 11. RIGHT CROSS, LEFT HOOK, RIGHT UPPERCUT. (3) 12. LEFT JAB, RIGHT CROSS, LEFT UPPERCUT, RIGHT UPPERCUT. (4) 13. RIGHT CROSS, LEFT UPPERCUT, RIGHT HOOK, LEFT HOOK, RIGHT CROSS. (6) 14. LEFT JAB, RIGHT CROSS, LEFT JAB RIGHT CROSS, LEFT JAB, RIGHT CROSS. (6) 15. LEFT UPPERCUT, RIGHT UPPERCUT, LEFT HOOK, RIGHT HOOK, LEFT JAB, RIGHT CROSS, LEFT HOOK. (7) As you can see, the combination possibilities are infinite.

You may use any combination that fits the circumstances, experimenting with different methods will unearth many variations. 46 Real Punching Because the feint draws the guard away from the area that it is meant to protect, the intended blow, especially the high face punch, has the potential to finish the fight, not so much because the target area has been left unprotected, more because the falsely deployed guard (and the opponent’s mind) believes that the feint punch is a real one and thus is too preoccupied with it to see the intended blow, which goes through completely unchallenged by the unprepared recipient.

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Bruce Lee: The Art of Expressing the Human Body by Bruce Lee, John Little


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