By T. E. Knight
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Additional info for Broaching Frontiers, Shattering Boundaries: On Tradition and Culture at the Dawn of the Third Millennium: Proceedings of the 21st International Congress of F.I.L.L.M. Held in Harare, Zimbabwe
HEILBUT, Anthony. Exiled in Paradise. German Refugee Artists and Intellectuals in America from the 1930s to the Present. New York : Viking Press, 1983. HERMAND, Jost. Kultur im Wiederaufbau. Die Bundesrepublik Deutschland 1945–1965. Munich : Nymphenburger, 1986. HOLZNER , Johann, Sigurd Paul SCHEICHL , and Wolfgang WIESMÜLLER , eds. Eine schwierige Heimkehr. Österreichische Literatur im Exil 1938–1945. Innsbruck : Institut für Germanistik, 1991. 2001, 12:47 34 Dieter Sevin K EIM, Anton Maria, ed.
Die Resonanz des Exils. Gelungene und mißlungene Rezeption deutschsprachiger Exilautoren. Amsterdam : Rodopi, 1992. SPALEK , John M. and Joseph STRELKA , eds. Deutsche Exilliteratur seit 1933. Kalifornien. Berne and Munich : Francke, 1976. –. Deutschsprachige Exilliteratur seit 1933. New York. Berne and Munich : Francke, 1989. STEPHAN, Alexander. Die deutsche Exilliteratur 1933–1945. Eine Einführung. Munich : C. H. Beck, 1979. STERN, Guy. Literatur im Exil. Gesammelte Aufsätze 1959–1989. Ismaning : Hueber, 1989.
It is a choice forced upon her by the political situation ; South Africa does not offer the luxury of a withdrawal into a private cocoon. Apartheid intrudes on all domains of life. Racial segregation is strictly enforced. Love across the colour line is absolutely forbidden. Racially mixed couples have no option but to flee the country. In South Africa a normal life is impossible for them. P. M. Dido’s Die storie van Monica Peters (The Story of Monica Peters). South Africa is a society with a love deficit.
Broaching Frontiers, Shattering Boundaries: On Tradition and Culture at the Dawn of the Third Millennium: Proceedings of the 21st International Congress of F.I.L.L.M. Held in Harare, Zimbabwe by T. E. Knight