By Eric Schaefer
Unashamed nudists, high-flying hopheads, brazen strippers, vicious vice lords, and highschool women who locate themselves “in trouble” contain the inhabitants of exploitation motion pictures. within the first full-scale background of those low-priced videos of a long time earlier, Eric Schaefer unearths how this pioneering kind of “trash film” purveyed the forbidden thrills of specific sexual habit, drug use, and vice that the mainstream motion picture couldn't show.
Bold! bold! surprising! True! is a meticulously researched, interdisciplinary examine that's expert by way of a variety of sources—including either mainstream and newspapers and periodicals, archival bills, own interviews, and the flicks themselves. Schaefer starts off by means of exploring the original mode of construction of exploitation video clips, their distribution, and the outrageous exhibition practices that have been rooted within the traditions of sideshows and carnivals. His shut research of dozens of movies, corresponding to The highway to Ruin, Modern Motherhood, One method price ticket to Hell, and The Wages of Sin demonstrates that those movies have been greater than easily “bad” video clips. by means of situating exploitation movies in a ancient context and organizing them in line with the social difficulties they addressed, Schaefer exhibits how they advanced in the course of a interval of 40 years and the way, in the course of that point, they formed public guidelines and attitudes. eventually, he makes a speciality of the alterations within the postwar American movie that resulted in the decline of the classical exploitation movie and set the level for the increase of “sexploitation” within the 1960s.
Engagingly written, illustrated with infrequent pictures, posters, creation stills, and advert slicks, and delivering a whole filmography, Bold! bold! stunning! True! unearths a forgotten part of movie background and American tradition. it's going to satisfaction and tell these attracted to movie background, cultural stories, American stories and historical past, and the numerous fanatics of exploitation films.
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Additional resources for Bold! Daring! Shocking! True: A History of Exploitation Films, 1919-1959
The fact that Solon was a noble, whose appointment was agreed to by noble leaders, must be central to any estimation of Solon’s work. 4 As interpreted by the author of the Athenaion Politeia, this would be one fragment of Solon’s poetry where he aligns himself with the poorer people against the rich (‘you’ versus ‘we’). But elsewhere, in Fragment 6 , the idea of ambitious minds gaining a surfeit of wealth refers to the poorer people; Solon there associates himself with the powerful and advises them on how to handle the common people.
If he did not return to Athens when the ten years had finished, he might conceivably have met Kroisos in the 550s. 1 . 1  gives Solon’s reasons as ‘trade together with travel’. But the trade may merely have been sufficient to finance his travel in a world without coinage (let alone credit cards): see note 2 on . 6 in ). 6 [102C]). There is even a fragment of papyrus of the third century AD recording an unknown author who wrote: [is sai]d to have [l]eft Attike [after binding] the Atheni[a]ns [with] a sol[emn oath to retain the] l[aws] enacted [b]y him [until he] returned [to th]em, and [taken up residence] in th[is] Soloi.
ATTIKE BEFORE SOLON 19 of unencumbered property worth not less than 10 minas; they elected the other, less important officials from those who could provide themselves with military equipment and the Strategoi and Hipparkhoi from those who declared their unencumbered property to be worth not less than 100 minas and who had legitimate sons, born in wedlock, over 10 years of age. 3 (3) There was to be a Council of Four Hundred and One, chosen by lot from those who possessed the franchise. Men over 30 years of age were to be eligible for this and the other offices governed by lot; no one was to hold the same office twice until everyone else had had a turn; after this the lot was to be cast over again.
Bold! Daring! Shocking! True: A History of Exploitation Films, 1919-1959 by Eric Schaefer