By Peter Telep
A continual video-game tie-in novel sequence "created by" Tom Clancy, yet written by means of a variety of authors less than the pseudonym David Michaels until eventually this latest one written by way of Peter Telep.
* * *
Sam Fisher needs to shop one man's existence to save lots of his personal country.
Eccentric billionaire Igor Kasperov owns essentially the most influential and profitable anti-virus software program businesses on the planet. but if the Kremlin orders him to unharness a catastrophic malicious program opposed to the U.S., he's pressured to escape for his life.
Sam Fisher and Fourth Echelon are charged with discovering Kasperov and featuring the yank president's provide for political asylum. simply because there are others searching for Kasperov. And the one factor they're going to provide him is a quick death...
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Extra resources for Blacklist Aftermath (Tom Clancy's Splinter Cell, Book 7)
Harding (1986) writes that women are subjects with "fractured identities" (p. 163) and highlights how particular, diverse, and distinct they are. Their marginality is their cohesive glue. As a theorist attracted to the emancipatory dimension of critical theory, Nancy Fraser (1989) appreciates postmodernism because, like the former, it emphasizes concrete and particular struggles and links knowledge with power, recognizing the political roles played by experts and the adversarial role that theory has toward social movements.
These concerns tap the fundamental ques- Contemporary Feminist Theory 43 tion of which versions of truth will prevail and shape thought and action" (pp. 202-203). Let me reiterate: The attraction of postmodernism to many contemporary feminist theorists is its emphasis on the idea of person as agent, as a political player in the rewriting of discourses and texts. In its way, postmodernism has a legitimating function for social movements, and this is why writers such as Alain Touraine (1988) and Joan Scott (1988) embrace it.
In its most direct form, consciousness-raising is a cultural activity that involves women literally sitting around and talking about male oppression; in its academic version, it becomes the writing of texts to demystify patriarchy. It values and accepts as true the knowledge and discursive power that grow out of communicated experience and is, in this sense, an epistemic challenge to what counts for knowledge; it also values language and the role that it plays in keeping people in their place.
Blacklist Aftermath (Tom Clancy's Splinter Cell, Book 7) by Peter Telep